My wife and I are rewatching The Next Generation and just finished Measure of a Man, the episode in season 2 in which Data’s personhood is legally debated and his life hangs in the balance.
I genuinely found this episode infuriating in its stupidity. It’s the first episode we skipped even a little bit. It was like nails on a chalkboard.
There is oodles of legal precedent that Data is a person. He was allowed to apply to Starfleet, graduated, became an officer and rose to the rank of Lt. Commander with all the responsibilities and privileges thereof.
Comparing him to a computer and the judge advocate general just shrugging and going to trial over it is completely idiotic. There are literal years and years of precedent that he’s an officer.
The problem is compounded because Picard can’t make the obvious legal argument and is therefore stuck philosophizing in a court room, which is all well and good, but it kind of comes down to whether or not Data has a soul? That’s not a legal argument.
The whole thing is so unbelievably ludicrous it just made me angrier and angrier. It wasn’t the high minded, humanistic future I’ve come to know and love, it was a kangaroo court where reason and precedent took a backseat to feeling and belief.
I genuinely hated it.
To my surprise, in looking it up, I discovered it’s considered one of the high water marks for the entire show. It feels like I’m taking crazy pills.
All Johnny 5 had to do was laugh at a religious joke told by Steve Gottenburg. Guess the 80s were more advanced socially in that regard
They sure balanced out that social advancement with Fisher Stevens face painted to be an Indian engineer.
Hot take. But put it in the context of the year it was aired, not today. Star Trek (and sci fi in general) was suffering from being perceived as “blue babes and laser guns”.
This episode was thoughtful if taken as standalone. And TNG really was about taking the episodes more or less independently. The season long story arcs and such didn’t exist. People weren’t binge watching. So the world building was less important than the specific hypothetical moral quandary of the week. Like, they are almost like Asimov short stories with a shared cast.
It wasn’t until a few years later that serialized TV even really became a thing – Twin Peaks probably was the first here, but Babylon 5 would have a good claim (and DS9, Buffy, and others were coming together then too). So the style of storytelling on TNG S2 is different.
Divorce the story from Star Trek and the setting and evaluate it as a sci fi ethical quandary. And in that framework, it is a remarkable episode.
Also, Brent Spiner played it well :)
And TNG really was about taking the episodes more or less independently.
This era was also the high water mark for syndicated TV which really drove the episodic format. Viewers couldn’t be guaranteed the show would air on the same channel or even the same timeslot. So long form serial TV were really rare.
I think that’s a terrific argument and it is always wise to contextualize it in history.
We have absolutely been binging which certainly gives it a different feel, but I would argue even as a standalone episode it was poorly written if superbly performed.
There are ideas that could have been played with in a way that respects the setting. Perhaps another computer attempting to join Starfleet, but it looks like a box rather than a person and asks Data to argue its personhood.
I don’t know. I’m not a writer and I’m just spitting an idea off the top of my head, but I think there’s a place for internal consistency within a narrative regardless of when it was written.
(This is vague enough that I don’t feel spoilers are necessary)
Perhaps another computer attempting to join Starfleet, but it looks like a box rather than a person and asks Data to argue its personhood.
They kind of had that exact opportunity in Discovery. But instead of an entire courtroom episode, it was more of a forced arbitration scene :(
I don’t mind spoilers—but use spoiler tags if necessary—what do you mean?
There is an episode later where Data defends the rights of a less-human-looking artificial life (the one with exocomps), though no courtroom scenes.
I think most star trek episodes can be torn apart pretty easily - I actually enjoy pointing out errors while I watch. But it’s good drama and themes with fun characters in an optimistic future, which is still a rarity decades later.
It wasn’t until a few years later that serialized TV even really became a thing – Twin Peaks probably was the first here, but Babylon 5 would have a good claim (and DS9, Buffy, and others were coming together then too).
Soap operas were doing serialized storytelling for decades before your examples. Maybe not good serialized storytelling, but still.
Yes there were soap operas. But was anyone doing it in prime time? Another commentor mentions how syndication was big at the time. Also you did have the concept of a “mini series” which was a popular term at the time, which implied the distinction.
There’s still an important distinction: JMS likened Babylon 5 to a novel for television. It had a defined beginning, a middle, and an end, conceptualized that way from the start of development.
Yes, soap operas are serialized television, but totally open-ended. The producers of Dallas didn’t plan for J.R. Ewing to get shot as part of the series arc; they didn’t even plan him as a main character. A lot of soap operas have a very throw-it-against-the-wall feel. My grandmother was a Days of Our Lives watcher, and stuck it out even through the alien abduction storyline. Other people I know would stop watching for even years at a time, then come back and pick up whatever new storylines were then current.
I mean no disrespect to soap operas, as they give lots of people years of enjoyment. TNG itself was largely episodic, but had some soap opera elements, following evolving relationships among the crew which were carried through. But that’s still not the novel-for-television concept.
Just because you got away with breaking the law for decades, doesn’t mean you weren’t breaking the law and the law can’t be applied today.
That notion is rather well addressed in Strange New Worlds s2e2 Ad Astra Per Aspera
Just because you got away with breaking the law for decades, doesn’t mean you weren’t breaking the law and the law can’t be applied today.
i mean it could tho. That’s why every lawyer answers “it depends”
Eh, soap operas had been doing serialised TV for decades before the 80s and 90s. And if you look to outside of the US, in the UK serialised TV was extremely normal, and had been for decades - ever since TV started, really. And even before that it was common in radio plays.
You are not taking crazy pills, its premise does suffer when watched with a “critical eye” (i.e. thinking about it even a little).
The reason it’s remembered so fondly (imho) is two fold. It is one of the first “thought provoking” episodes. And the first couple of seasons were… not the best to put it mildly.
edit: admittedly, I do enjoy it, but I really have to turn my brain off to do so.
Honestly, the validation means the world to me. The performances were all top notch and I get the idea they’re going for, but how they went there was so painful and contrived.
lol, no kidding. Even watching it as a kid my first thought was, “the fate of Data’s rights can be determined in an impromptu court session with bridge crew acting as lawyers!? Shouldn’t they have… real courts for this?”. At the time I didn’t consider the limitations of the show of course, and I do think the willingness to tackle high concepts was what made the show so special. But damn did the limitations show in this one.
Especially back then, people made exceptions for scifi shows bc even remotely good ones were in such short supply. Also the limitations were quite severe - for funding, for each episode having to fully wrap up by its end and therefore be almost entirely self-contained (except season-bridging 2-parters with cliffhangers stitching them together), and even then people might end up rewatching them in a different order later on, before e.g. VCRs existed and started becoming more common.
Though in many more ways than one, not only irt that, it is one of the better shows of all time. Certainly in comparison with the large majority of its successors.
The existing legal precedent is absolutely ignored in lieu of courtroom spectacle. An excuse to have Picard wax poetic, which he does to great effect.
In hindsight, there’s a book that sort of covers Data early career, or at least what he was doing when Picard met him. The main focus of the book is Picard’s time before the Enterprise. https://memory-beta.fandom.com/wiki/The_Buried_Age
Noone is sure what to make of Data at that point. He is doing some computer database management stuff at some remote location and is content to just do that. Picard shows him how to have aspirations for more.
Starfleet never really thought or cared about Data’s needs or wants, let alone sentience, until Maddox wanted to vivisect him
