I think the only country that’s legit happened to was Iraq,
Usually it’s more about how traumatized the POWs captured by your country’s soldiers were. Unbroken being the major cinematic example, and all the stories about Senator McCain refusing early release and being tortured for it and the guy who blinked reports of torture out in morse code while reading a hostage statement in Vietnam being the more “stuff of legends” examples.
American Sniper is the only one I’ve seen where it’s about how some soldier who didn’t experience anything above the typical background humm of war felt about the whole thing.
Probably because being a US military troop is the least dangerous it’s ever been, so the major condition most troops will face isn’t death or permanent injury, but instead PTSD from having faced combat or Survivor’s guilt from having been suddenly shifted off the rare doomed mission or patrol that still claims casualties at the last second.
Most enlisted troops are just career workers in camo with a REALLY rigorous on the job fitness program. There’s a reason the US is everyone’s intel and logistics repository, and it’s because for every dollar spent on actually fighting, ten get spent on building up so much intelligence that the deck is as stacked as it can be before the cards even come out of the box to be dealt.
Edit: get not grt
I think the only country that’s legit happened to was Iraq,
M*A*S*H (Korea)
Jarhead (Iraq, but the first time)
Lone Survivor (Afghanistan)
The Men Who Stare at Goats (Guantanamo Bay Torture Facility in Cuba)
Letters from Iwo Jima (Pacific Theater - WW2)
Saving Private Ryan (European Theater - WW2)
Heartbreak Ridge (Grenada)
The Good Shepherd (Bay of Pigs Invasion, Cuba)
Full Metal Jacket (Vietnam)
Rambo (Vietnam)
Apocalypse Now (Vietnam)
We Were Soldiers (Vietnam)
Good Morning, Vietnam (Vietnam)
I don’t think you’ve seen some of these movies if you think it has anything to do with how sad it made them.
Yes, because fucking Rambo of all movies is about how bad american soldiers felt about what they did.
Thanks for the laugh
Yes, because fucking Rambo of all movies is about how bad american soldiers felt about what they did.
Thanks for the laugh
Rambo is just dood in ban danna shooting musheen gun and holding big nife.
I’m just being a dick. I haven’t seen it since I was around 7 so that’s all it was for me haha.
Vietnam movies were usually either about POW experiences or about the absolute pointlessness of it all, which doesn’t really line up with “bombing your country and then making movies about how sad it made them”
I have literally never seen a depiction of Vietnam that was positive or shy of direct condemnation of how terrible it all was.
Seriously, even Forrest Gump’s innocent portrayal of it still managed to underline in bold that it was all pointless, needless, and cruel beyond reason.
I have literally never seen a depiction of Vietnam that was positive or shy of direct condemnation of how terrible it all was.
Seriously, even Forrest Gump’s innocent portrayal of it still managed to underline in bold that it was all pointless, needless, and cruel beyond reason.
Not sure what about any of that doesn’t line up with “sad”. None of those adjectives border on happy or nonchalant.
As others have said there’s a bunch more, but the one that really grinds my gears is The Covenant
We really spent 20 years telling these terps they and their families would be safe, then just fucking left and made a MOVIE about that shitty bullshit underhanded move?
Put every single goddamn joint chief in front of congress and ask why this is a fictional tale
Honestly what gets me about evac failures and abandonments is the Berlin Airlift.
We had the logistics to mount a months long rescue operation that could get everyone fleeing out decades before these rushed withdrawals.
Everyone in Saigon and Kabul could have been gotten out, fuck we could have mounted a rolling evac bringing collaborators behind lines and transporting them in a trickle so that the last folks out are in a relatively empty air schedule. Expanding and contracting sphere, keep everyone who’s in it willingly behind the line so long as they willingly continue to move with it.
We go in get the resource then leave. Werner van Braun got a first class ticket to the US
Soldiers in the sandbox were playing COD on Xboxes in the hooch before going out to a real life version where people lived in bombed out huts, then promising if you work with us you’ll get a better life in America
The US military has many faults but logistics is not one. Every single terp and their cousin could be living in Milwaukee right now…but we fucking chose not to.
Pushing functional birds off a carrier deck to make room for people is the definition of Churchill’s quote. Americans will do the right thing after exhausting every other option.
This presupposes that every single person working to make change in their home is willing to just up and leave at a moments notice (or years in advance, which kind of undermines the entire motive to want to effect change, again in their home)
ten grt
Is this “ten are”, and a really bad typo? Or is grt some form of currency abbriviation I don’t get?
You better play dead homie, we make a lot of sequels
Tbf a lot of movies in America are subsidized by the army. If a movie plays in America and has army vehicles in then, check for them in the credits
Same with games like CoD. Fucking Activision has former CIA execs working for them. And how they use real events in the games and spin them around to make America look like the good guy.
Technically correct, but your comment makes it sound like the military is actively commissioning movies, which is not the case. When Hollywood wants to make historical or war movies, they have few options:
- Buy the equipment - one military ship or airplane can be more than the whole movie’s budget.
- Prop/CGI - may look bad and doesn’t guaranty to be cheaper.
- Get all the gear for free, loaned out from the military (including training and specialists) - but they get to edit and approve your script.
I wish there were more options for independent and critical movie makers.
The person you replied to said “subsidized”, which implies what you just explained. The US military provides support to movies and TVs. However, it would be naive to think that the military still doesn’t try to influence the production. It’s been a long time since I have listened to it but there was a podcast mentioning “Zero Dark Thirty” having influence from the CIA; and the movie is about justifying torture to get results for “the greater good”. This is in spite of the report commissioned during the Obama era that torture never yielded any significant results.
“Actively Commissioning” and “Subsidizing” are two different contexts. Your points are all accurate, but commissioning a movie means actually going out and saying, “we want this movie, and will pay/provide resources to it in order for it to get done”, versus “your doing a movie with military, we’ll provide resources in compensation for a meddlers credit”.
Originally a Frankie Boyle joke?
