CDs are in every way better than vinyl records. They are smaller, much higher quality audio, lower noise floor and don’t wear out by being played. The fact that CD sales are behind vinyl is a sign that the world has gone mad. The fact you can rip and stream your own CD media is fantastic because generally remasters are not good and streaming services typically only have remastered versions, not originals. You have no control on streaming services about what version of an album you’re served or whether it’ll still be there tomorrow. Not an issue with physical media.
The vast majority of people listen to music using equipment that produces audio of poor quality, especially those that stream using ear buds. It makes me very sad when people don’t care that what they’re listening to could sound so much better, especially if played through a hifi from a CD player, or using half decent (not beats) headphones.
There’s plenty of good sounding and well produced music out there, but it’s typically played back through the equivalent of two cans and some string. I’m not sure people remember how good good music can sound when played back through good kit.
The fact that CD sales are behind vinyl is a sign that the world has gone mad.
Not really. It’s a sign that Vinyl has turned into a symbol of support for the creative ideals of musicians and romance for a bygone era, while CDs, superior as they are (except in the case of records in good repair being played on high quality turntables), are “just” things that hold digital music. They sold in insane numbers because they were the standard format until streaming truly took over. Sure, Vinyl sales are up to 40 million or so in the US, but the bigger thing is that the 37 million CD sales are down from almost a billion in each of 1999 and 2000.
As a vinyl dork who a huge music fan, it’s definitely a way to support artists but let’s not pretend that vinyl sound better, technically CDs will always be more clear, but I happen to enjoy the warmth of vinyl even if it’s not as perfect as CD audio.
Like watching a recording of a play and the play itself.
The recording won’t ever miss a line, is clean, a known quantity.
A play is great but also potentially imperfect which is possibly part of the experience some people look for.
Some might argue that both are recordings so why not get the cleaner one, LOL. ;-)
That said, I don’t really collect my music in any meaningful way, but I can still see the appeal of vinyl. The actual soundwaves from your favorite artist (theoretically… digital masters? What? :-) ) actually moved a membrane that was amplified to move a needle to cut a master, that was copied by mushing something hot and squishy until it had an imprint of those same actual soundwaves. It’s all very tactile and dramatic and connected. Like going to Grauman’s theater and seeing the stars’ handprints.
Then there’s the fact that the record could theoretically have captured sound that the digital process intentionally discards as part of its encoding algorithm. Something about that possibility of being nearer to perfection has to hold some appeal as well.
Plus the covers are pretty.
symbol of support for the creative ideals of musicians and romance for a bygone era
i think this is happening to CDs as we speak.
see: op
I see your point, but I don’t think you’re going to see quite the same reverence, precisely because it doesn’t have that visceral connection to the music and its creation that vinyl does. There has to be computing technology as an intermediary to get sound waves onto CDs, so at that point why not skip the middle man? Vinyl is also a more tactilely “old” technology, that’s still modern enough to have a practical setup around it. Think fountain pens or muscle cars with carburetors and no electronics. Then, there’s the fact that it’s deeply connected even to the terminology of the music industry. “Record,” “album,” “track,” even “single” all come from vinyl itself. The cultural cachet is unmatched.
People switched to CDs en masse because they were easier to live with than vinyl and a huge improvement over cassettes in every way (except height and width, LOL), but it was very transactional, so CDs were always apt to being replaced again if something even more convenient came along. Even in their heyday, there were people pining for the days of vinyl, and it’s the spiritual descendants of that crew that are keeping records alive. CDs will not disappear, and there will be a certain crew that appreciates all the things that made them a good mass market distribution medium, but I don’t think they’re going to inspire tastemakers the same way vinyl does.
I am getting old now, and I could be wrong, but it’s fun to predict. :-)
You’re mistakenly thinking people are buying vinyl records for sound quality, and there may be a few misguided people out there, but the vast majority aren’t.
For many it’s about simply supporting their favourite artists, and getting a cool item to enjoy. I’d say most vinyl record gatefolds often have a load of extra interesting stuff going on compared to a CD jewel case release. It also lends itself to forcing you to be more deliberate about listening, you need to pay attention to flip the record, you need to physically interact with the thing—I imagine the majority that still buy CDs end up just ripping them to another device and then basically never open the case again. Which I’d say encourages entirely different kinds of listening experience. Neither are invalid ways to engage with an album.
I guess that leads onto the other thing to point out, which is most of the modern records I buy come with a code to download FLACs of the album, sometimes even at higher quality (24-bit/96khz) than a CD release (16-bit/44.1khz). This is also more convenient for increasing numbers of people that simply don’t have a way to play CDs at all any more, let alone on a hi-fi or something.
I’ll agree though that most people are listening with mediocre equipment. But FWIW, there are fantastic quality “ear bud” style IEMs out there (I like Shure’s range) that’ll blow a lot of non-professional headphones out the water.
Foreword: I only stream my music, from FLAC preferably. I don’t own vynils but mostly i don’t own CD’s anymore either.
CD is dead and should be dead. Rip it and stream it, full stop. No need or reason to keep a degrading digital format when you can just rip it (full quality and store as FLAC) and stream it. That’s the whole point.
Vynil instead gives you the experience of listening, with all the associated crap/fun depending on your POV.
So while there is a case for vynil today, but I don’t share it, there is zero case for CDs. Just download the bits. Don’t waste plastic and shit with a polluting and degrading medium that make no sense today that downloading a full quality uncompressed audio file takes seconds.
Yeah, a CD? Incredible, can hold Twelve songs!!
I’d even prefer a cassette.
CD is dead and should be dead. Rip it and stream it, full stop. No need or reason to keep a degrading digital format when you can just rip it (full quality and store as FLAC) and stream it. That’s the whole point.
This sentiment is somehow hostile to both artists and listeners. That’s not the whole point. The whole point is that when I buy a thing (book, music, video), I own the thing and can store, backup, and transfer ownership as I see fit, not according to the whims of future licensing deals. I don’t want to buy what is basically an NFT of the music. I want to buy the physical object. I want to be able to physically transfer that object.
You’ll own nothing and like it I guess. Not me though. I’ve lived through too many failing companies, disappearing websites and services, hostile licensing deals that alienate and disenfranchise artists and fans, and general corporate greed. Let me buy the CD as directly from the band as possible. Let me take it from there and use whatever I choose for equipment, format, or software to enjoy it.
For the last few decades, very few people that have declared a popular media format dead have turned out to be correct.
You want to purchase a vibration of the air?
a sound?
I understand why you want a physical object to hold, but owning the music to me means no DRM, then the bits are mine and I can do whatever I want with them.
Indeed go buy posters, lyrics, any physical item you want from your band. Caps, cups, t-shirts, any form of art.
But I still don’t see a reason for CDs. Then buy vinyls, at least the art is far bigger!
Yes, I want an unencumbered physical representation of the artists work, just like you’d expect from an art print or book. I thought I was pretty clear about that. I don’t want merch. I want the art. It’s my money to spend to support the artists the way I choose, not an argument you can “win”.
You rip those CDs to get rid of degrading physical storage… onto a hard drive that can also fail. A hard drive being degrading/corruptable physical storage.
It’s pretty unlikely that all your harddrives fail at the same time. Just back them up regularly, it’s pretty easy compared to a physical CD or vinyl collection.
That said, most of my music collection is stored in high quality mp3, not lossless. Lossless would make the backup process quite a bit more expensive.
We actually have the technology to make Audio CDs that last 100s of years, but the manufacturers refuse to use it in CDs, reserving it for DVD-R and BD-R discs for archiving. It doesn’t even cost much more to produce (but they certainly charge more for it).
So I rip all my audio CDs to Flac and then burn them to a single 100GB M–Disc for archival.
I’ve just realised you spelled vynil correctly and everyone else has been either spelling it wrong or pronouncing it wrong since its conception
I just spent 5 minutes looking it up and can’t find any version of the word spelled vynil.
It’s vinyl because that’s the material the records are made from. Just like vinyl flooring.
Vinyl is pronounced “vy”- “nil”. It’s written "“vi”-“nyl” which makes no sense to a non native speaker, which the OP obviously was.
His spelling of it makes more sense than our native spelling of it
I’m sorry you have to have jokes explained to you, the internet must be confusing ☺️
Did I? Maybe because I am not an English speaker? Good to know tough, I went by instinct
I was joking in that your spelling makes far more literal sense than the actual spelling
I prefer yours and I’m using it from now on 😂
My amplifier has all the streaming services available and some of them like Tidal stream at higher bitrates than a CD. CD’s are obsolete these days, I don’t know anyone who still has a CD player. So obviously sales decline.
Vinyl on the other hand is an (analog) experience by itself. In my experience there is nothing like crate digging for unique samples at the local record shops, sampling them with my AKAI S-1100, the warm dynamic sound of it, the noise floor bringing harmonic distortion, the ticks and cracks that add to the groove.
Yeah, vinyls would die if it was only about sound quality. So as would heating food over campfire when there are perfect convection ovens, effective microwaves, etc
This is 100% correct, but I don’t think most people buy vinyls because of the audio quality. I own plenty of vinyls, but I know for a fact that my CDs and even higher bitrate FLACs stomp all over it for audio quality. Records are just kind of fun and nostalgic.
and make you feel like you are more authentic than people who don’t own vinyl.
all my record owning-friends love to go on about how they are the only folks who ‘really’ appreciate music…
They are probably just noobs experiencing the process of listening to an album as if that’s a novelty. Most kids these days just listen to streaming selections of various artists and probably mostly hits. Listening to an album seems old-school now, when it used to be the norm when CDs and tapes were the dominant music media format.
