Haven’t seen Taboo but Bridgerton is a fantasy alt world - it can have steam-powered computers for all I care. My objection is specifically about falsely portraying real eras for the sake of casting diversity, which I think is a disservice to people who were held down in those real eras.
Fair enough, I have seen the same arguments applied to it is why I used it as an example. I don’t know what shows you are thinking of, but are they misrepresenting things, or are they just using blind casting and asking you to suspend your disbelief? This is something we do without thinking when watching theatre, but it’s a bit more subtle when watching television or films because they go to lengths to make the environment feel more real.
Suspension of disbelief is great for science fiction and fantasy, but I don’t think it’s healthy to mask past realities. I don’t believe for one second anybody does “blind” casting - entertainment companies pander to what they think their audience’s main demographic wants, and they do extensive research to tell them what that is. They want to be on the audience’s side on every issue, support all the right things, criticize all the right things… there’s nothing blind or random about any of it.
Perhaps, or perhaps the casting team had other goals that aren’t so obvious. While it’s true there are purely capitalistic production firms, there are clearly things being made with artistic vision behind them, and sometimes that includes blind casting. Again, I suspect this is more prevalent in theatre, where audiences are more willing to accept, say, a woman playing King Lear, or black actors playing nobles in a historical setting. Because, on stage, you are already suspending lots of that disbelief - you’re not looking into a throne room, you’re looking at a stage - it’s easier to take it a step further.
But while less is asked of you when watching a historical drama on TV, you are nonetheless suspending your disbelief. You know really that cameras couldn’t have filmed this in the Victorian era, that’s not really Henry VIII, and Jesus wasn’t a white guy. The question is what makes it too jarring for you?
I noticed you’re quite focused on the production company’s intent behind the casting. Maybe it’s politically/philosophically motivated, maybe purely capitalist, or maybe artistic… But you can’t really know. And should it even matter to you as the viewer? I understand trying to unpick the artistic decisions behind a piece, but those of the production company? That doesn’t seem like something to bring into your viewing experience - just perhaps conversations like this one on the internet.
I’d invite you to try suspending your disbelief as you might when watching the Passion of the Christ, and see if you’re able to enjoy these films/shows despite the historical inaccuracies.