That’s fine, but ai “artists” act like their prompts(and even the images they didn’t do shit to make) are things they put their heart and soul into and get so mad that they have any people calling them out
Personally I haven’t seen any of that, just a lot of people butthurt (or scared for their livelyhood) that others can now make pictures with little effort.
Also some of these generated pics are the result of hundreds of trial-and-error attempts changing up the dozens of parameters and running multiple pieces of software in sequence to get the AI to spit out the wanted result.
The “Anti-AI” crowd tends to be completely ignorant on how this stuff actually works.
And some people have turned this AI stuff into their hobby, so they get defensive when you shit on them (“calling them out” as you word it)
It’s fine to have AI stuff as a hobby but I’m sorry; AI generated art has no business in an art gallery with human art.
Rent/host your own spaces, open your own galleries, hold your own events. No one is saying that people can’t engage with AI art. What they’re saying is that the effort to legitimize AI art as an equal to human art is incredibly damaging and cancerous.
Yeah, finding the right prompt is hard work that requires years of training 🤡
Yeah, misconstruing my comment in one sentence and slapping on a clown emoji thinking that is a genious comeback is hard work that requires years of training
It’s like asking someone to make you a sandwich and then stipulating what you want on the sandwich then, once the sandwich is on a plate in front of you, you proudly exclaim “Wow, I’m quite the chef, aren’t I?”
The sandwich maker in this case is just not a person, it’s a computer.
Looking at it a different way, that would be like a photographer taking a photo of the sandwich and proclaiming “I’m an artist” or a director telling a chef what to make, telling a cinematographer/camera operator how to shoot it, and an editor how to cut it to create a short film of a sandwich and proclaiming “I’m an artist”. Art can be made from a series of creative and purposeful decisions that result in a piece of expression. It might not be good art, it might not be effortful art, it might even be unethically made art, but it’s not not-art.
The parallels to film directing are uncanny. Idk why people consider that an art either. Not sarcasm, film directing isn’t art for the exact same reason AI images aren’t art.
How far does the artist have to be removed from the art before they’re no longer considered an artist?
Is it even meaningful to ask if something is art, when anything can be art and art is subjective? It seems more important to ask who a given tool is helping.
That would also make a corporate exec meddling with the production to meet their expectations as artists…
Yup. That’s why I’m skeptical of directors are artists.
Or, more accurately, I don’t think you can get a clear black and white answer about if someone is an artist or something is art.
It’s probably more like a grey area, a sliding scale.
I think we’re looking at this question wrong anyways. Anything can be art, this is just a tool and in the hands of an artist it will contribute to the creation of art.
The question is: is this a net benefit for society? Is it helping new/hidden artists create art that they otherwise couldn’t? Or is it making the life of the artist harder by fucking up the job market? Both?
“This artform that I don’t have a hope in hell of ever understanding is invalid… because I say so.”
Better stop watching movies and tv and only ever go to your local playhouse for entertainment.
Technically, the impressionist and surrealist movements are modern art. But I bet you marvel at Monet’s pieces
“Modern art” also includes works like Black Swan 1 by WLOP and FUN by Mika Pikazo.
You should check out this article on the attacks on paintings by Jewish American artist Barnett Newman. Especially this quote on the piece Who’s Afraid of Red, Yellow, and Blue III, which is basically just an 8’ by 18’ block of red with a blue stripe:
After the 1986 attack on Who’s Afraid of Red, Yellow, and Blue III there was a conversation concerning who would do the restoration of the painting. Despite the work provoking a lot of anger in museumgoers due to its simplicity, the painting was incredibly intricate, and experts knew that it would be nearly unattainable to complete a faithful restoration. Although the work was mostly just an expanse of the color red, both the shade and technique Newman used were difficult to replicate. Prior to the slashing, it was almost impossible to see brush strokes on the work with the naked eye. Additionally, one of the cardinal rules of restoring paintings is that everything done to the work should be reversible, something that would be very difficult to do with such large cuts through the body of the work. The painting sat damaged for many years because no conservationists wanted to touch it.
The dude who did eventually volunteer to restore it more or less went over the entire painting with a roller and red paint, and you can tell immediately.