Underwaterbob
Look up an old newspaper from say 100-120 years ago and check out the obituaries.
I have an XBox 360 controller lying around that still works great. I have a couple DS4s that still work great even though the rubber started coming off the analog sticks. The one Dualsense I bought crapped out after a single year of moderate use.
My daughter was watching Bluey the other day, and Bingo wanted some “Pavlova”. I immediately thought it was some reference to them all being dogs and Pavlov.
Nope. Turns out it’s actually a dessert named after a Russian ballerina that originated in either New Zealand or Australia in the early 20th century.
Maybe some kind of increasing scale for revenue depending on larger numbers of listens.
My break down by track is pretty inconsistent, too. I’ve got a single track with over a million listen that made me 36 cents. My most popular track has over 4M listens, and it’s responsible for half that $45. Distrokid doesn’t say which streaming service that revenue comes from, either. Some pay more than others, I imagine.
Me? Honestly, I think it would be obvious to any discerning listener what music is actually made by a person, and what music is AI generated, but really, there’s so much music out there of wildly varying quality thanks to accessibility of production tools these days, it probably is literally impossible to tell the difference anymore.