While curious about the Centauri accent, I found this 2001 interview with Peter Jurasik (Londo Mollari) and Wortham Krimmer (Cartagia).

http://www.earth62.net/transcripts/jurasik22feb01.htm

The quick story about the accent, if I can tell you how I patchworked it together, is I was doing a play downtown, a Tennessee Williams play, and I worked really hard on a Memphis accent. I felt like I had really nailed it. But one L.A. critic nailed me and said, “That’s a terrible Memphis accent. That doesn’t sound like a Southern accent.” I was really hurt. About that time was when “The Gathering,” the pilot, showed up. I called Joe and said, “What do you want me to sound like?” He said, “Let him sound like whatever you want,” so I purposely took a couple of different things. There’s a character who plays the parole officer in A Clockwork Orange, the guy who’s always saying, “And night-time is the best time, um, yes?” I took my Czechoslovakian grandmother. I had spent three consecutive summers in Ireland. I didn’t always take sounds; I took rhythms. Londo had a kind of musical thing.

The whole thing’s worth a read, they seemed to be having fun.

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It was the dawn of the third age of mankind. Ten years after the Earth Minbari war. The Babylon project was dream giving form. It’s goal to prevent another war by creating a place where humans and aliens could work out their differences peacefully. It’s a port of call. Home away from home for diplomats, hustlers, entrepreneurs, and wanders. Humans and aliens wrap in two million five hundred thousand tons of spinning metal, all alone in the night. It can be a dangerous place, but it’s our last best hope for peace. This is the story of last of the Babylon stations. The year is 2258. The name of the place is Babylon 5.

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