30 points
Oh my brother in Lemmy, I have all the time in the world.
18 points
10 points
16 points
Tokyo Story from 1953 and Ozu’s most well-regarded work. If you’ve never noticed how a director frames a shot in a movie before, this one will make you aware of how well it can be done.
22 points
Actually this is Akira Kurosawa’s Ikiru from 1952, an equally great film (and that’s saying a lot)
Source: I downloaded the subtitles, this scene is around the 2 hour 6 minute mark
12 points
8 points
Based
