Logline
Season finale where lots of wild stuff happens!
Written by: Mike McMahan
Directed by: Megan Lloyd
A pretty cool episode. Top takeaways:
- I’m going to miss Captain Ransom. I think it would have been fun to have a season or two of him. Only Discovery has had the balls to hand over the Captain’s chair to another during its main run, and I think that is a good thing.
- Starbase 80 is now set up as a new DS9-style show. A starbase guarding a dimensional portal. God I hope that happens. I just hope they pull off the ensemble cast that made DS9 such a classic.
- I hate the tease for Rutherford x Tendi, it’s so mean to tease it in the finale :'( But really it’s so cute.
Plenty more I missed of course.
I feel like this finale did a very impressive job of tying things up, not in the way that they are concluded and done but that we see a transition in which that which we know has ended, and now the characters are going off toward grand new things. Which is a great approach to providing resolution without essentially killing and mounting your characters like butterflies in a collection.
But also, I sort of wonder if part of the intent was to loudly tell the fans and the network that if anyone was curious, the writers had a ton of juice in the battery. This is pure speculation, but I feel like the thematic message of this finale was something to the effect of ‘Just in case anyone wondered if we’re finishing because we didn’t have more to say, wrong, WRONG, WRONG. We could’ve made another five jam-packed high quality seasons of this easily.’
That’s what I felt watching it. Tendi and Rutherford’s bond was always strong, but I long wondered if a romantic pairing was a possibility or not. It didn’t feel obvious or obviously out of place. Seeing Rutherford remove the implant provided in just a single scene a lot of fodder to consider what we could learn about him as a person and technology in seeing how he is the same and how he is different without the implant. And seeing him essentially look up from his cell phone and realize he has a crush on his best friend he was long avoiding thinking about is a great direction for him to go, imo. I think that would be a great story, regardless of whether it culminates in a lasting romance or leads to a decision to remain platonic.
I’d never quite liked Ransom. I don’t hate him, but his gimmick always annoyed more than endeared. But in the last minute, I had to admit that it has worked. He’s supposed to annoy, but also to remain hard to dislike. You want to dislike him, but he won’t quite let you. “Engage the core!” landed very well with me. That’s a catch phrase that kind of gets both more tired with use, and funnier as it gets more tired. I’d love to see him deliver this incredibly groan-inducing line in a moment of genuine high stakes drama, at which point you’d have no choice but to admit… it’s become iconic (and you’d hate him for doing that).
Anyway, 3 out of 5 stars (Jk, I loved the finale. Paramount should just announce that they’ve reassessed and green-lit another season. Seems like an obvious thing to do, but we’ll see).
I feel like I’ve been pulled off Ketracel white cold turkey. So many good episodes. My ultimate conclusion is the best episode is probably season 2 finale, with season 4 finale very close behind.
The Rutherford thing was weird - they could have written in a bit more foreshadowing. I’m gonna tell myself it’s a way to make Eugene Cordero’s makeup easier for a live action film. 😉
Overall, I think it was foreshadowed enough. In the first episode of the season, we see him having transitioned entirely to inorganic parts to fully bury his emotions, and in the end of this we see him deciding to go the other way. And I liked it.
I’m often a little critical of what seem like anti-transhumanist takes that assume organic parts are inherently superior, and mechanization is a defilement of god’s creation. But in this case, I didn’t feel like his choice was that. It felt like – and this is a complicated comparison, so follow me – an examination of what is often called “detransitioning”.
I say “often called” because I don’t think a transgender person adopting a prior gender presentation IS “detransitioning”. I think it’s just transitioning further. There’s a sort of irony, to me, in the taboo within trans-allyship toward transitioning back towards a prior gender expression, because bigots will always say that anyone who does so is proof that their transition was a mistake, and then claim that every transition is a mistake. I think this is ironic, because I celebrate anyone living their truth, and truths are complicated, and they change as we change.
Which is to say that I like cyborg Rutherford. And I also like non-cyborg Rutherford. And if Rutherford got cybernetics again or got biopunk mods, I think I’d like that Rutherford too.
I hope we do get to see more of all these characters.
I can’t believe it’s already been five seasons… that was a great show.
Unexpectedly really relatable too, as a young working professional (well, less young than when it started…)
Yeah. Also: there has been throughout the show a nice little undercurrent of labor consciousness that was often lacking when we only follow “leadership” in stories.
This has been my favorite Trek in a long while. I like these characters a lot, and their personal and professional growth was well written.
What a perfect finale. It really shows what I most loved about Lower Decks. The crew - aside all comedy - is formed by professionals which are capable of working together and advancing beyond their single capabilities. There is no drama or trying to hide important info from each other like in PIC or DIS. This is what I always loved about TNG, DS9 and VOY and it is great to see it still works - even on modern television.
One silly, little joke got me out of nowhere (maybe I was a little bit emotional about the impending end): Ransom: Mr. Rutherford, a little birdie told me you made some pretty inspired updates to the plasma injectors. Rutherford: Was it Dr. Migleemo?
I think most of this show’s jokes are great moments rather than lines, but there were definitely plenty of lines, too.
I loved “Science besties!”; “What is the viscosity of the goo?”/“Does it have anything nice to say?”; and of course “Engage the core!”
I can’t help wondering if this gets renewed.
This was a pretty solid episode with some very good jokes (the thing about creating a warp field with one nacelle was fantastic, for example), but I left feeling underwhelmed because of the bizare “the first officer is two LTJGs” thing. Lower Decks has had a shockingly strong track record of not doing things that strike me as immediately stupid, but this is really silly. “Ransom must be pulling another twisted prank, because he’s not this bad at his job” level silly. I think it’s still better than promoting Tilly to XO, but that’s a bar I had hoped this show would remain well clear of and a close shave is disappointing.
I think I understand why they did this: there’s no obvious non-specialist XO candidate of an appropriate rank in the main cast (arguably Shax, but he’s “only” a LT and does not seem ready for the job), and they didn’t want to just trot out a handwave and say they’ll be picking up the XO at the next starbase or something. I’d also theorize that they had planned to have two more seasons in which to work Mariner and Boimler into positions where they might actually make sense for an XO billet. But they aren’t there yet, and they both know it.
Also, gosh would that alternate universe explorer thing have been useful in DISCO S3. And probably Prodigy too. It’s also a dangerous can of worms to open for future stories, because having reliable access to random slightly different universes, apparently at different points in their timelines, is incredibly useful for both anticipating and solving problems in the “prime” universe. There’s also cool stuff they can do with it and I’m sure they will, so I’m trying to keep an open mind.
Finally, props to them for coming up with a more plausible reason for our heroes to literally save the universe: because someone connected to them got unwittingly thrown into a position of enormous influence, and deliberately picked them. It’s Zeus and company antagonizing Hercules, not Michael Burnham being central to solving five (?) entirely unrelated but galactically significant disasters, apparently by pure chance.
It’s Zeus and company antagonizing Hercules, not Michael Burnham being central to solving five (?) entirely unrelated but galactically significant disasters, apparently by pure chance.
Yeah, there’s a lesson in good writing right there.
I think another way to approach this is demonstrated in The Expanse series and in a lot of Captain America stories: after you save the world, more big world-ending events get brought to you by people looking for help and enemies looking for revenge.
