I agree with the sentiment. Shows will pop with cool concepts and storylines, but quickly devolve into 90-95% interpersonal drama and then a tiny reveal pushing the story/concept. It’s gotten so formulaic and boring.
I won’t pretend that this doesn’t happen a lot and isn’t a real problem. I think it’s an especially bad problem with plot-driven dramas in shows produced as part of the US network system. It’s less likely to be a problem in prestige cable shows or well-crafted streaming shows. It’s silly to pretend that shows can’t be just as artful as movies, at their very best.
I don’t agree with TC point, it is objectively wrong as others have given a lot of good examples. But I do think there is a perverse incentive with serialized continuous entertainment like tv shows and is the same with cable and streaming shows but also the same can be applied to movies with sequels and expanded universe.
The insentive is that if it is making money just keeps pushing more of that. And because a variety of reasons like sunken cost will make people hang on to a series while it declines. And they virtually all decline in quality because even if the show creators have a plan and ideia por like 5 seasons worth of content the company with want a 6th season, and as 7th and so on until it is so bad that people stops watching. This can be countered if the show creators have control of the IP and can finish it in their own accord but this is rarely the case I think.
And so this is my observation, “all series continue until they become so bad that they lose enough audience”.
Even Breaking bad I must say, such beloved show and I really enjoyed, 1st season had 7ep, 2-4 had 13 and the 5th 16, and I really think that it dragged on in some places in later seasons that was not present in the early ones. And they even add a movie, not wanting to let it go of the cash flow.
Quentitin Tarantino farted in his sleep. What does this say about the movie industry as a whole? Can a powerful enough rival from a different sector change the paradigm? Please read this entire bullshit article riddled with advertisements and let us know in the comments and don’t forget to like, subscribe and share.
I used to be impressed by his ability to seem like a douchebag. I’m quite certain that he’s genuine.
Wait, so is he talking specifically about Yellowstone and other shows with the same flaws as it? Or does he believe this is necessarily true of all TV?
Because yeah, I can think of plenty of shows that I liked at the time but feel more or less the same as what he’s saying. Pretty much the entire Arrowverse. The US House of Cards remake. A bunch of shows that I eventually stopped watching without ever consciously deciding I wanted to drop them can probably be put down to this. Vikings. Leaky Blinders.
But I can also think of plenty of shows that really strongly stick with me. The original House of Cards. Chuck. Avatar: The Alastair Airbender. And that’s just looking at strongly plot-driven dramas. For comedy, there’s just no film that does anything even remotely like the best sitcoms in terms of how it feels emotionally to watch. Things like Parks & Rec or Brooklyn Nine Nine.
I first watched it between seasons 2 and 3 of the US version, back before it came out what an awful person Spacey was, but more importantly (for this conversation) before the show had started stretching itself thin. Although on their surface the shows diverge, plot-wise, after season 1 of each, I think thematically they diverge after their respective season 2s.
And I always liked to say back then that the UK version was just as good as the US version, but very different tonally. The key difference is that the UK version stuck the landing with a strong season 3 that it ended on.
I wish I could rewatch it, but it wasn’t easy to get a hold of back then, and finding pirate versions of stuff has only gotten harder in the decade since.
“Needs more feet.” - QT
