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haverholm

haverholm@kbin.earth
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I used to make comics. I know that because strangers would look at my work and immediately share their most excruciatingly banal experiences with me:

— that time a motorised wheelchair cut in front of them in the line at the supermarket;
— when the dentist pulled the wrong tooth and they tried to get a discount;
— eating off an apple and finding half a worm in it;

every anecdote rounded of with a triumphant “You should make a comic about that!”

Then I would take my 300 pages graphic novel out of their hands, both of us knowing full well they weren’t going to buy it, and I’d smile politely, “Yeah, sure. Someday.”

“Don’t try to cheat me out of my royalties when you publish it,” they would guffaw and walk away to grant comics creator status onto their next victim.

Nowadays I make work that feels even more truly like comics to me than that almost twenty years old graphic novel. Collage-y, abstract stuff that breaks all the rules just begging to be broken. Linear narrative is ashes settling in my trails, montage stretched thin and warping in new, interesting directions.

I teach comics techniques at a university level based in my current work. I even make an infrequent podcast talking to other avantgarde artists about their work in the same field.

Still, sometimes at night my subconscious whispers the truth in my ear: Nobody ever insists I turn their inane bullshit nonevents into comics these days, and while I am a happier, more balanced person as a result of that, I guess that means I don’t make comics any longer after all.

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Granted. You do indeed get a few hours of peace and quiet — just the most blissful calm you’ve ever experienced — and then never again.

You go on to live a frantic life of constant unrest and barrage on the senses. Soon you give up on sleep entirely, lose your grip on reality, and barely notice when you pop a blood vessel in your brain and expire.

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Cannot confirm, in my usage I have never encountered this. I use Newpipe almost daily and do not have a YT login.

Occasionally Google has done something (deliberately or coincidentally) to limit third party app access, but that’s usually worked around very quickly.

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Defo go for F-droid! Dunno if it’s baked into Graphene but I use it almost exclusively on Android.

I also recommend Firefox/Fennec with the Web Archives add-on for viewing paywalled articles. You will be depending on others archiving the full version to read them, but with most larger outlets they will.

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Context? Graphene related advice?

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For Youtube w/o ads just use Newpipe, an open source, privacy aware, third party app. You’ll never need to log into Youtube again. And it’s not even piracy, even if Google might think differently 🙂

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On a sidenote, “The rebel flesh”/" The almost people" were directed by Julian Simpson who has been developing a swathe of weird and very good audio dramas with the BBC over the past decade or so.

The tone of this interconnected “Pleasant Green universe” is very early-oughts Warren Ellis/Grant Morrison, with some fairly mind-boggling concepts that might appeal to Who fans.

For an easy gateway, look up “The Lovecraft investigations” in your podcast player 🙂

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I only watched the deleted scenes from this year’s season now, and although it’s brief there is also a Bill & Ted moment where Climax Ncuti literally hands Second Act Ncuti the preprogrammed referee whistle.

Not quite to the same level as in this trailer, but mostly a note that some of those deleted scenes are really good, and sometimes actually make more sense of the story…

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“The faculty board”?

Edit: I found a (probably “AI” authored) source for my suggestion, which also suggests “staff”, “panel” and “team”, but those all sound so humdrum.

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There are too many streamers, too much money and not everyone is watching so it can’t be financially viable

Don’t bury the lede, Rusty. Tell us what you really think!

This, along with his acknowledgment a while back that Disney are dragging their feet renewing their distribution deal, sounds like quite the U-turn from this time last year.

I’m curious what other avenues of support the BBC and Bad Wolf could mine to keep even the current brief season productions coming?

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